A Rift in the Earth: Art, Memory, and the Fight for a Vietnam War Memorial
By James Reston
A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious "art war" that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war's end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. "The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth." --Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." --Frederick Hart
"The Vietnam Memorial Wall would never have existed if a handful of angry Vietnam Veterans and their influential allies had won their fight to kill the project a generation ago. Reston's riveting history of the battle for Maya Lin's unconventional and moving monument brings to life the personalities on both sides as well as the emotions that galvanized such intense disagreement and mirrored the deep rift of the war itself. Equally powerful is Reston's final "Author's Reflection," about his journey to Vietnam today to recapture the last days of a friend killed in Hue whose name is on the Wall."--Myra MacPherson, author of the bestselling Long Time Passing: Vietnam and the Haunted Generation and the award-winning All Governments Lie: The Life and Times of Rebel Journalist I. F. Stone "This is a story that needs to be told, and James Reston, Jr., tells it very well. I believe that readers will soon find themselves taking and even changing sides as the Art War in his account heats up and then reaches its conclusion. For me, the Wall and the entranceway that resulted from the Art War controversy provide a place to find closure for those who fought the war, those whose loved ones did not return, and even those who violently opposed it."--Lieutenant General Ron Christmas, USMC (Retired), Former President & CEO, Marine Corps Heritage Foundation
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